Boléro

In the two decades between the First and Second World War, Maurice Ravel was feted as France’s greatest living composer. Like Debussy, he was aligned with the Impressionists – a term they both loathed. His work also melded modernism, baroque and neoclassicism, with later compositions also embracing jazz. For all his range, Ravel is best-known for his 1928 composition Boléro, whose conception lies at the heart of Anne Fontaine’s elegant film. It weaves Ravel’s working process and life through his encounters with three women: the Russian dancer Ida Rubinstein, whose commission led to the music’s creation; his patron Misia Sert, and his pianist friend Marguerite Long. The past bleeds into the present through restrained flashbacks, which add depth to this consummate portrait of a skilled, sensitive artist.